“Consciousness, Exploration, Pleasure and Evolution.
Welcome to my creative world!”
Louise Lamirande, visual artist
Lately on the BlogArtwork, News & More
Create a painting is not always a linear process from A to Z. Sometimes you go back to scratch the paint, carve in, tear away, start all over again or destroy to rebuild and complete the artwork. The painting which follows was not only made a dozen layers of cold wax medium and oil paint with embedded hand painted paper, copper leaves and cheese cloth, but was created from the partial destruction of those layers.read more
Below are three paintings created with Golden High Flow transparent inks on Yasutomo rock paper. For those I showed you last week (see here) I rubbed and scratched the paper extensively to test the strength of it. This time, I added more water and rubbing alcohol to see if it will buckle and explore different texture effects. And no, the rock paper does not buckle under regular use.read more
I recently tested the multimedia mineral paper made by Yasutomo. In what follows, I speak about it and compare this paper with the TerraSkin. I also take the opportunity to show you some of my recent paintings created with the High Flow transparent acrylic ink from Golden on Yasutomo’s paper.read more
Charmed by the work of artists such as Rebecca Crowell, Janice Mason and Serena Barton, in 2014 I did some basic experiments with the cold wax medium made by Gamblin mixed with gold pigment, charcoal and alcohol ink. However, it is only recently that I took time to explore further the possibilities of painting with cold wax. Cold wax is a tradition medium used in oil painting. It is a waxy paste made from beeswax, solvent and, according to the manufacturer or the artist’s preferences, oil, Damar resin and even microcrystalline wax…read more
After Facebook, Twitter, Google +, Pinterest and YouTube, I am now also on Instagram at the following address https://www.instagram.com/lamirandeart/ .
I hesitated for a long time before opening an account on Instagram. I figured that I had nothing to show. Who will be interested in my little home-based art studio? It is far from the glamorous, all white painted and perfectly decorated studios of huge size seen on Pinterest. And when I do digital painting, I will not take pictures of my computer right? Nevertheless, I decided to give it a try.
Following are new experimental paintings inspired by the book “Acrylic Painting for Encaustic Effects” written by Sandra Duran Wilson. This time, I tried a technique using a translucent matte polyester film from Dura-Lar and faux encaustic acrylic medium on a painted background. This paper is actually an acid-free polyester translucent film with a matte finish (Dura-Lar company also makes a transparent polyester film, but it is not one that is used for this technique). The translucent Dura-Lar can be painted (or not) on one surface or both…read more
One of the difficulties in creating a credible simulation of encaustic with acrylic is the lack of thickness. Acrylic medium shrinks a lot upon drying so that even if a thick layer, or even multiple layers of faux encaustic medium is applied, it is difficult to obtain a substantial thickness close to the one of a single layer of encaustic. To accurately determine the number of layers of faux encaustic medium needed to create an effect of thickness having the appearance of wax, I did a test.read more
Those who follow me on social networks already know it: three of my digital paintings were chosen by the company of high-end clothing Art-A-Porter located in Montreal for their “Tech Lo” collection. As I already mentioned it on a previous blog post published last October, Art-A-Porter is company creating clothing and fashion accessories on which are printed artworks of artists from all around the world.
Below is an overview of the wearable art pieces designed from my digital hybrid paintings…
Last week, I show you my first experiments using acrylic paint and medium to mimic (or at least try) the effects of translucency of encaustic. Click here to read the blog post and take note of the faux encaustic medium recipe I used for the following experiments.This time, I tried another technique suggested in the book “Acrylic Painting for Encaustic Effects” by Sandra Duran Wilson. It consists of painting with transparent colors on a translucent deli paper and then glue this paper on the substrate…read more